Tag Archives: realism

“Absolute: Nostalgia” (CIF)

VIDEO: Reaching Inward With New Painting, “Absolute: Nostalgia”

“Absolute: Nostalgia”, Reaching Inward Through Newest Painting

by Daric Gill

“Absolute: Nostalgia” (framed)
“Absolute: Nostalgia” (framed), Oil paint on reclaimed black walnut. 18 1/2” x 17 5/8”. 11.27.17

Absolute: Nostalgia is a deep painting from a deep place. Three ginkgo biloba leaves, yellowed and fallen, arch their way down the center of a walnut panel. Flanking the ginkgo are a set of baby’s breath flowers angling in from the lower right corner. Tucked neatly at the bottom of the foliage is a small black card. Draping down from the top are clusters of vibrant red-orange berries; fruit from the green hawthorn tree. Subtle color changes to the wood grain show a neatly vertical composition. A gradient of rectangles  radiate from the center. Watch how it was made and see more images below the article.

[Process Video & Image Gallery Below Article]

 

Continue reading VIDEO: Reaching Inward With New Painting, “Absolute: Nostalgia”
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VIDEO: “Absolute: Rest” Painting Selected for OAL, Carnegie Gallery

Absolute: Rest” Painting Selected for OAL, Carnegie Gallery

by Daric Gill

Full image of oil painting, "Absolute: Rest", Oil on reclaimed 1927 Honduran mahogany from a baby grand piano.
“Absolute: Rest”, Oil on reclaimed 1927 Honduran mahogany from a baby grand piano. 10 3/4″ x 8 5/8″. 1.1.17.

It’s my pleasure to announce that Absolute: Rest has been selected for the Ohio Art League Fall Juried Exhibition. This year it will be held at the Carnegie Gallery, a brand new exhibition space in the newly remodeled Columbus Metropolitan Library. Exhibit is free, open to all, and feature the best work of both emerging and established artists.

Exhibition Dates:
October 12, 2017 – November 17, 2017

Opening Reception:
Thursday, October 12, 6-8 p.m.

Carnegie Gallery:
2nd floor of Columbus Main Library
96 South Grant Avenue
Columbus, OH 43215

Absolute: Rest is an oil painting on reclaimed Honduran Mahogany. A black handmade envelope is painted above a translucent geometric ‘X’. On top of the envelope is a leaf from the ZZ plant. Its green flesh is held down by a smooth stone. Each of these elements are symbols taken from the short story, Bricks to Stones. You can watch how it was made below and read the full story talking about this piece here.

[Process Video & Image Gallery Below]

 

Continue reading VIDEO: “Absolute: Rest” Painting Selected for OAL, Carnegie Gallery
Close up detail of "Absolute: Rest", oil painting on reclaimed wood.

VIDEO: Making “Absolute: Rest” Painting & A Short Story

Looking Inward With Absolute: Rest

by Daric Gill

Full image of oil painting, "Absolute: Rest", Oil on reclaimed 1927 Honduran mahogany from a baby grand piano.
“Absolute: Rest”, Oil on reclaimed 1927 Honduran mahogany from a baby grand piano. 10 3/4″ x 8 5/8″. 1.1.17.

It is good to look inward with an absolute silence, to find solace during those cacophonous times. For Absolute: Rest, I took a major departure from my normal idea gathering process and instead developed the painting along side a short story I wrote.

Absolute: Rest is an oil painting on reclaimed Honduran Mahogany. A black handmade envelope is painted above a translucent geometric ‘X’. On top of the envelope is a leaf from the ZZ plant. Its green flesh is held down by a smooth stone. Each of these elements are symbols taken from the short story, Bricks to Stones.

“So afraid of a falling shelter, Man spent all his energy grinding bricks into stones and bones to dirt. These are materials more suited for a garden than a shelter.”

 

[Process Video, Short Story, & Full Image Gallery Below]

 

Continue reading VIDEO: Making “Absolute: Rest” Painting & A Short Story
"Absolute: Insulation" (detail), Oil paint on reclaimed cherry wood. 12 3/4” x 15 5/8”. 12.13.16.

VIDEO: The Making Of “Absolute: Insulation” Oil Painting On Cherry

Newest Painting “Absolute: Insulation”

By Daric Gill

Introducing my latest painting, Absolute: Insulation, an oil painting on reclaimed cherry wood.

A leafless branch is vignetted in the center of the undulating patterns of the wood below. The top half of the branch, sheathed in a coating of white, reaches outward and upward. The base of the branch fades into the background wood. Look close enough and you can see dried remnants of moss on the twig. A deep red-brown color envelopes around the center; its rich color coursing through the wavy cherry wood grain.  Read more below…

[Process Video & Full Image Gallery Below Article]

 

Continue reading VIDEO: The Making Of “Absolute: Insulation” Oil Painting On Cherry